top tone造句

• He also defended the depicted violence, saying the over-the-top tone excused it.
• The top tone is sometimes realized as a high rising 45.
• When we started rehearsing, I saw the director wanted a campier, over-the-top tone.
• This is a metal band or ring, placed between the voicing window and the top tone hole.
• A picture of this instrument is seen on the inside page of the " Top Tones " book.
• A notable proponent of the altissimo range was Sigurd Rasch鑢, who preferred the term " top tones ".
• It is exaggerated and formulaic, but relies squarely on the charm of its leading man to pull off its over-the-top tone.
• Sanders, a tall, lean man who moves with the slow, careful grace of age, chuckled softly at the covenant's over-the-top tone.
• Both tenors have trouble with managing the transitional notes between the upper middle voice and the top tones, the so-called " passaggio ."
• The only price Bocelli is currently paying is in top tones that don't invariably carry the full resonance of the rest of his voice.
• Today we can enjoy her command of the idiom, her solid technique, and her top tones, equally remarkable in forte and in poised pianissimo.
• :Comment : Boy, those comments below take me back : the over-the-top tone, the blustering denials, and the ( evergreen ) demands that I be blocked.
• Rodriguez has it both ways, delivering the visceral jolt of the high body count, then making it OK by saying via the film's over-the-top tone, that it's all a joke.
• He was eager to demonstrate his command of these " top tones, " and argued that the use of these tones was a legitimate musical technique, not a trick or novelty.
• The " Variety " reviewer described the play as " the dining-room play that dissolves in an emotive crossfire of accusation, revelation and reconciliation ", " offbeat, sometimes ferociously funny " with an " over-the-top tone ".
• Rasch鑢 is also the author of " Top Tones For the Saxophone ", which is the most widely used and known method book for training saxophonists how to perform in the upper and altissimo register of the saxophone.
• He always sang with passion and charisma, and often with more skill than he was given credit for because of the taste issue _ he could produce tremendous top tones, but he could also shade them down to a beautiful, fully supported pianissimo.